The brothers Pier Giacomo and Achille Castiglioni sign the radio-stereo RR126 (1966) from the anthropomorphic form, but that did not give the reference to the technology and will be a status symbol of the decade and one of the 60 most sought after pieces of modern art of the 80s and 90s.
A specific goal of those years was the pursuit of modularity in the design: the design for the RR126 documents this trend.
A “space object” self-supporting so almost floating modular in three different configurations volumes separable.